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Vandenhoeck & Ruprecht
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Musik
Das musikwissenschaftliche Programm bietet v.a. Publikationen zur Musikgeschichte des 16.–19. Jahrhunderts. Schwerpunkte bilden die Reihen »Göttinger Händel-Beiträge« und »Abhandlungen zur Musikgeschichte«.
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Sabine Mecking
,
Yvonne Wasserloos
(Ed.)
Musik – Macht – Staat
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Rebekka Sandmeier
Geistliche Vokalpolyphonie und Frühhumanismus in England
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Hans Joachim Marx
,
Wolfgang Sandberger
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Göttinger Händel-Beiträge, Band 14
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Andrea Ammendola
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Daniel Glowotz
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Polyphone Messen im 15. und 16. Jahrhundert
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Berenike Schröder
Monumentale Erinnerung – ästhetische Erneuerung
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Dominik Höink
Die Rezeption der Kirchenmusik Anton Bruckners
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Alexander Steinhilber
Die Musikhandschrift F. K. Mus. 76/II. Abt. der Fürst Thurn und Taxis Hofbibliothek Regensburg
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Jochen Brieger
Untersuchungen zur Struktur der Erstsoggetti in den Motetten Giovanni Pierluigi da Palestrinas
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Dominik Höink
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Jürgen Heidrich
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Gewalt – Bedrohung – Krieg: Georg Friedrich Händels Judas Maccabaeus
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Marie Schlüter
Musikgeschichte Wittenbergs im 16. Jahrhundert
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Hans Joachim Marx
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Wolfgang Sandberger
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Göttinger Händel-Beiträge, Band 13
out of print, available for download
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Roland Dieter Schmidt-Hensel
»La musica è del Signor Hasse detto il Sassone...«
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Roland Dieter Schmidt-Hensel
»La musica è del Signor Hasse detto il Sassone...«
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Dean Cáceres
Das Echte und Innerliche in der Kunst: Der Komponist, Dirigent und Pädagoge Woldemar Bargiel (1828–1897)
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Peter Schmitz
Johannes Brahms und der Leipziger Musikverlag Breitkopf & Härtel
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Michael Silies
Die Motetten des Philippe de Monte (1521–1603)
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Hans Joachim Marx
(Ed.)
An International Handel Bibliography / Internationale Händel-Bibliographie (1959-2009)
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Matthew Gardner
Handel and Maurice Greene’s Circle at the Apollo Academy
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Hans Joachim Marx
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Wolfgang Sandberger
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Göttinger Händel-Beiträge, Band 12
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Constantin Grun
Arnold Schönberg und Richard Wagner
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Constantin Grun
Arnold Schönberg und Richard Wagner
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Hans Joachim Marx
,
Wolfgang Sandberger
(Ed.)
Göttinger Händel-Beiträge, Band 11
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Barbara Wiermann
Die Entwicklung vokal-instrumentalen Komponierens im protestantischen Deutschland bis zur Mitte des 17. Jahrhunderts
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Therese Bruggisser-Lanker
Musik und Liturgie im Kloster St. Gallen in Spätmittelalter und Renaissance
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Hans Joachim Marx
(Ed.)
Göttinger Händel-Beiträge, Band 9
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Torsten Brandt
Johann Christian Lobe (1797–1881)
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Martin Staehelin
(Ed.)
»Die Zeit, die Tag und Jahre macht«
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Jörg Linnenbrügger
Richard Wagners ›Die Meistersinger von Nürnberg‹
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Annette Oppermann
Musikalische Klassiker-Ausgaben des 19. Jahrhunderts
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Peter Niedermüller
›Contrapunto‹ und ›effetto‹
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